Theatre of dreams
Thierry Bouet spent three years photographing people with a thing about their beds. He tells Odette Audebeau about the message Homo horizontalis has for the world
By Thierry Bouet
From the archive
“I have this deep connection with bed and I wanted to find out if there was anything wrong with me. Now that I have seen more than 80 beds, I know that there are stranger people than me out there.”
“The first time bed became a special place, I was at boarding school. There were 80 of us in the dormitory and my bed suddenly became my refuge, the only place I felt was my own. Those were my sheets, my blankets—it was my sanctuary. In that rather hostile world my bed was a raft and I felt safe there. I mean it, at that point in my life, the best place I got to spend any time was in bed.”
“I also went scouting and I remember getting soaked in a storm and spending the night on bales of straw in a barn, shivering with cold. You know, sleeping on straw is incredibly uncomfortable. Later, in the army, I sometimes slept in really awful places, in the freezing snow. That’s when I realised how much bed matters to us all.”
“While everyone sweats and scraps and hustles, I live by a different code. Bed is the most important piece of furniture in our lives. It is the door to our thoughts and to boundless contemplation. You are born in bed and, all being well, you will die there too. When people say ‘he died in his sleep’ they mean that his death was a peaceful one.”
“It took me a whole year to find the first eight beds, which was a bit of a struggle. But then I met a journalist who did some real research and in the two years that followed, thanks to her, I went from eight beds to more than 80. Each picture is staged because I wanted to photograph the beds with their users in the way they wanted and, obviously, people weren’t going to ask me to their houses in the middle of the night.”
“Bed is where you lose consciousness, so you should put your trust in it—because it carries you while you are in oblivion. And don’t forget the pleasure of being in bed. It is a universal pleasure—it belongs to everyone, unless they sleep on the pavement. And when I say pleasure, I mean sleep, dreams, love. That is why I photographed the collection of beds I called the ‘Theatre of Dreams’.
Odette Audebeau
PHOTOGRAPHS: GETTY
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