From minimalism to mooching
We need our cool cats as much as our hotheads, but Ryan Gosling’s new film marks the end of the Method
We need our cool cats as much as our hotheads, but Ryan Gosling’s new film marks the end of the Method
If there is such a thing as film history, it should now have a special place for the “Before Sunrise” trilogy
Sentimentality is not a flaw in a film-maker. Kubrick’s script about Napoleon could do with more
Character building: great films arise when director, star and protagonist all merge into one
In Hollywood, physiognomy is destiny. Spielberg knows it and shows it again in his “Lincoln”
Paul Thomas Anderson’s “The Master” is a little too masterly for its own good
Film-makers are less interested in America than they used to be. But now a gem of a movie bucks the trend
To play Superman, they just need a super-agent and an accent coach
