The three for all
Character building: great films arise when director, star and protagonist all merge into one
Character building: great films arise when director, star and protagonist all merge into one
In Hollywood, physiognomy is destiny. Spielberg knows it and shows it again in his “Lincoln”
Paul Thomas Anderson’s “The Master” is a little too masterly for its own good
A fashion exhibition that shows how costumes create characters in the movies
Film-makers are less interested in America than they used to be. But now a gem of a movie bucks the trend
One of the greatest living playwrights is also a sought-after screenwriter and a conservative modernist
