“The Revenant” is ahead by a nose
Why Iñárritu’s brutal Western will pip “Spotlight” to the Best Picture Oscar
Why Iñárritu’s brutal Western will pip “Spotlight” to the Best Picture Oscar
Messy but exhilarating, Spike Lee’s new film could have been an Oscar contender, had it been released the old-fashioned way
This spin-off film fails to reboot the old series
Adam McKay’s raucous black comedy may be the best movie yet about the financial crisis
Who has missed out at this year’s nominations, and how does that change the race?
A story about imprisonment may sound grim, but this masterful movie leaves you feeling uplifted
His new film shows just how eccentric a director he can be
With the awards season approaching, should you back an acute thriller or a feminist triumph?
His new movie is the best in the series since “The Empire Strikes Back”
