Film At the Cinema A great American achievement If there is such a thing as film history, it should now have a special place for the “Before Sunrise” trilogy
Film At the Cinema Napoleon needs to move us Sentimentality is not a flaw in a film-maker. Kubrick’s script about Napoleon could do with more
Film Sympathy for the devil Joachim Lafosse has us aching with sympathy for someone guilty of the most horrendous of crimes
Film At the Cinema The three for all Character building: great films arise when director, star and protagonist all merge into one
Film At the Cinema Sheer American cragginess In Hollywood, physiognomy is destiny. Spielberg knows it and shows it again in his “Lincoln”
Film At the Cinema Locked-in lost souls Paul Thomas Anderson’s “The Master” is a little too masterly for its own good
