The Daily Critic’s notebook “Britannia”: mad as a snake and the best thing on TV Sky Atlantic’s new drama about the Roman conquest of Britain is weird and spectacular in equal measure
The Daily Critic’s notebook How Jean-Pierre Melville made existentialism thrilling The French director’s films are action-packed and hauntingly bleak
The Daily Critic’s notebook The afterlife of broken art After insurers write off a damaged work of art, the Salvage Art Institute picks up the pieces
The Daily Critic’s notebook “Before the Storm” ensnares the heart In a growing genre of video games exploring their characters’ inner lives, this one stands out
The Daily Critic’s notebook “Destiny 2” shows us the future of gaming Its plot may be old-fashioned, but the way it extracts money from players is ultra-modern
The Daily Critic’s notebook The ten best video games of 2017 It has been a year of transformative technology and big ideas
The Daily Critic’s notebook The rise of the hologram rock star Roy Orbison is one of a growing number of dead musicians going back on tour
The Daily Critic’s notebook How public art helped to shape New York The city installs more public art than any other in the world, and it serves developers as well as artists
The Daily Critic’s notebook Why must kids’ films be so unremittingly bleak? “My Little Pony: The Movie” clings to the idea that you can’t entertain a pre-teen without emotionally scarring them
The Daily Critic’s notebook “Wall Street” at 30: making high finance look heroic Compared to later films about banking, Oliver Stone’s movie from 1987 paints a surprisingly positive picture