The Daily Critic’s notebook If you think sci-fi is about the future, think again An exhibition in London shows how much of science fiction is fuelled by nostalgia
The Daily Critic’s notebook The first Minecraft novel...or is it a self-help book? For anyone not obsessed with low-resolution blocks, “Minecraft: The Island” is like an alien artefact
The Daily Critic’s notebook Baby Driver has catchy music but no characters Edgar Wright has borrowed Tarantino’s use of retro hits in his new film. Unfortunately he’s forgotten the whip-smart writing
The Daily Critic’s notebook “Okja” is a vision of the future Netflix’s new film is so wild that it would never have been made by a conventional Hollywood studio. Backward-looking producers should take note
The Daily Critic’s notebook Do I really have to choose my own adventure? Netflix may have overestimated the public’s appetite for interactive storytelling
The Daily Critic’s notebook In video games, small is beautiful Games are getting ever more expansive. But there is magic to be found in confinement
The Daily Critic’s notebook Gathering dust From Man Ray to forensics, dust provides an unlikely route through 20th-century photography at London’s Whitechapel Gallery
The Daily Critic’s notebook If only “Churchill” had been a hatchet job A new biopic can’t decide whether he’s a doddering old buffer or a titan
The Daily Critic’s notebook Why Mr Gay Syria is a winner The search for a Syrian representative at Mr Gay World powers a moving documentary about love, homophobia and migration
The Daily Critic’s notebook The first time America heard itself sing An unmissable new trilogy of documentaries, “American Epic”, uncovers the origins of popular music